plusMENÜ
Infobutton
german | english

COMPENDIUM

line

ESSAYS

line

MISC.

line
  • historic
  • Abstract Film
  • Animation
  • Architecture
  • Expanded Cinema
  • Color Organs
  • Film Score
  • Games
  • Gesamtkunstwerk
  • Graphic Notation
  • Interactive Art
  • Sound art
  • ArtistMusician
  • Light Shows
  • Literature
  • Live Visuals
  • Painting
  • Music
  • Musical Theater
  • Music Video
  • Performance Art
  • Software Art
  • Sonification
  • Sound Design
  • Dance
  • Dance Film
  • Video
26 Topics in Compendium
  • systematic
  • Audiovisual Perception
  • Color-Sound-Analogies
  • Conceptual Correlations
  • Montage
  • Parameter-Mapping
  • Structural Analogy
  • Synchronization
  • Synesthesia
  • Transformation
9 Topics in Compendium
  • Introduction to the compendium
  • Introduction to the essays
  • Hybrids at the Interface of Sound and Vision
  • Separation and Conjunction
  • Deaf Dumb Mute Blind
  • The Expanded Image
  • Between the Poles of Mickey Mousing and Counterpoint
  • Sound and Image Worlds in Pop Music
  • Audiovisual Interactive Art
  • On Hearing Eyes and Seeing Ears
  • The Question of Thresholds
  • Audition and Ergo-Audition
  • 12 Essays in Archive

EXHIBITION

line
  • SEE THIS SOUND
  • Promises of Music for the Eye
  • Unreconciled
  • Borderline Art
  • New Modes of Perception
  • Come Together—Let’s Dance
  • Site.Sound.Industry
  • Audiovisual Experiments
  • Background Noises—Institutional Sounds
8 Areas in the Exhibition
  • Workindex
  • Personindex
  • Socialbodies
  •  
  • About See This Sound
  • About the Web archive
  • Symposium
  • publications
  • Sitemap
Stslettering
Compendium
home
AbstractVerticalseparatorMaintextVerticalseparatorLiterature
Textindex Textindex
 

Sound in Animation

by Maureen Furniss

This article will be made available shortly.

Next Textpiece
1
2
3
4

previously read texts
  • Sound in Animation
  • Absolute Film
  • Graphic Notation and Musical Graphics
  • Gesamtkunstwerk
  • undefined
  • The Film Score
  • Color Organs
  • Expanded Cinema
  • Architecture and Music
Print TextPrinter
 
Works
People
Socialbodies
Workdescriptions from this text
Small

Balance

Small

Free Radicals

Small

Ryan

Workdescriptions from other texts
Small

Radio Dynamics

Small

Steamboat Willie

Small

Symphonie Diagonale

test
Infotop Information about See This SoundVerticalseparatorHomeVerticalseparatorIndexVerticalseparatorConceptVerticalseparatorSitemapVerticalseparatorPrivacy PolicyVerticalseparatorLegal Info (Impressum)
HGB LogoLbi Logo
In cooperation with
Lentos Footer
Linz09 Footer
 
Tindexcornertop
List of all Relations in this Text
SCHLIESSEN Closebutton

«Sound in Animation»
Works
Balance, Free Radicals, Ryan
People
Allers Roger (Chap. 4), Ashman Howard (Chap. 4), Betty Boop (Chap. 2), Bjork (Chap. 4), Blanc Mel (Chap. 2), Brown Tregoweth (Chap. 2), Bugs Bunny (Chap. 2), Calloway Cab (Chap. 2), Cannon Robert (Chap. 3), Chaplin Charlie (Chap. 1), Chomet Sylvain (Chap. 4), Churchill Frank (Chap. 2), Clements Ron (Chap. 4), Daffy Duck (Chap. 2), De Forest Lee (Chap. 2), Diaz Cameron (Chap. 4), Disney Walt (Chap. 2, 4), Dr. Seuss (Chap. 3), Dunning George (Chap. 3), Eggeling Viking (Chap. 1), Engl Joseph (Chap. 2), Felix the Cat (Chap. 1), Fischinger Oskar (Chap. 2), Fleischer Dave (Chap. 2), Foray June (Chap. 2), Gabriel Peter (Chap. 4), Gondry Michel (Chap. 4), Hanks Tom (Chap. 4), Jackson Michael (Chap. 4), Kandinsky Wassily (Chap. 2), Ko-Ko the Clown (Chap. 2), Landreth Chris (Chap. 4), Larkin Ryan (Chap. 4), Lye Len (Chap. 3), Massolle Joseph (Chap. 2), McCay Winsor (Chap. 1), McLaren Malcolm (Chap. 3), Menken Alan (Chap. 4), Mickey Mouse (Chap. 2), Minkoff Rob (Chap. 4), Mouris Frank (Chap. 3), Musker John (Chap. 4), Olive Oyl (Chap. 2), Porky Pig (Chap. 2), Powers Pat (Chap. 2), Questel Mae (Chap. 2), Reiniger Lotte (Chap. 1), Rice Tim (Chap. 4), Richter Hans (Chap. 1), Squires Scott (Chap. 2), Stalling Carl (Chap. 2), Taylor Deems (Chap. 2), Tezuka Osamu (Chap. 3), Trousdale Gary (Chap. 4), Vogt Hans (Chap. 2), Williams Robin (Chap. 4), Wise Kirk (Chap. 4), Zeller Wolfgang (Chap. 1)
Socialbodies
Chemical Brothers (Chap. 4), Filmation Associates (Chap. 3), Fleischer studios (Chap. 2), Hanna-Barbera Productions, Inc. (Chap. 3), Jay Ward Productions (Chap. 2), MTV (Music Television) (Chap. 4), Max and Dave Fleischer (Chap. 2), National Film Board of Canada (Chap. 4, 3), Paramount Pictures Corporation (Chap. 2), The Beatles (Chap. 3), United Productions of America (Chap. 3), Warner Bros. (Chap. 2), Wolfgang and Christoph Lauenstein (Chap. 4), a-ha (Chap. 4)
Mentioned
Circles (Chap. 2), Aladdin (Chap. 4), Astro Boy (Chap. 3), Beauty and the Beast (Chap. 4), Belleville Rendez-vous (Chap. 4), Betty Boop (Chap. 2), Black or White (Chap. 4), Fantasia (Chap. 2), Frank Film (Chap. 3), Gerald McBoing Boing (Chap. 3), Gertie the Dinosaur (Chap. 1), Looney Tunes (Chap. 2), Merry Melodies (Chap. 2), Mickey-Mouse-Series (Chap. 2), Neighbours (Chap. 3), Phonofilm (Chap. 2), Popeye the Sailor (Chap. 2), Radio Dynamics (Chap. 2), Rhythm 21 (Chap. 1), Rotoscoping (Chap. 2), Silly Symphony (Chap. 2), Sledgehammer (Chap. 4), Snow White (Chap. 2), Snow White and the Seven Dwarfs (Chap. 2), Song Car-Tunes (Chap. 2), Steamboat Willie (Chap. 2), Symphonie Diagonale (Chap. 1), Take on me (Chap. 4), The Adventures of Prince Achmed (Chap. 1), The Concert Feature (Chap. 2), The Flintstones (Chap. 3), The Lion King (Chap. 4), The St. James Infirmary Blues (Chap. 2), TheTriplettes of Belleville / Belleville Rendez-vous (Chap. 4), Three Little Pigs (Chap. 2), Tri-Ergon System (Chap. 2), Who’s Afraid of the Big Bad Wolf? (Chap. 2), Yellow Submarine (Chap. 3)
Keywords
Immersion (Chap. 4), Performativität (Chap. 1), Polysensualität (Chap. 3), Verzeitlichung (Chap. 1), club culture (Chap. 4), drawn sound (Chap. 3), mickey-mousing (Chap. 2), rhythm (Chap. 1), synchronicity (Chap. 2, 3), synthesis (Chap. 2, 3)
Timespans
– 1930, 1920 – 1940, 1940 – 1980, ab 1980

SCHLIESSEN Closebutton
Tindexcornerbottom