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List of all Relations in this Text

«The Film Score»
People
Adorno Theodor W. (Chap. 3), Alexandrow Grigori (Chap. 3), Ashby Hal (Chap. 5), Beaumont Harry (Chap. 3), Becce Giuseppe (Chap. 2), Bernard Armand (Chap. 3), Bliss Arthur (Chap. 4), Bond James (Chap. 5), Breil Joseph Carl (Chap. 2), Britten Benjamin (Chap. 4), Calmettes André (Chap. 2), Charell Erik (Chap. 3), Clair René (Chap. 2, 3), Cohan George M. (Chap. 3), Columbus Chris (Chap. 5), Crosland Alan (Chap. 3), Debussy Claude (Chap. 2), Disney Walt (Chap. 4), Eisenstein Sergei Michailowitsch (Chap. 2, 4, 3), Eisler Hanns (Chap. 2, 3, 4), Fleming Victor (Chap. 4), Frankenstein Victor (Chap. 2), Gance Abel (Chap. 2), Gerrard Lisa (Chap. 5), Gilbert Lewis (Chap. 5), Gilbert Robert (Chap. 3), Griffith David Wark (Chap. 2), Hamlisch Marvin (Chap. 5), Herrmann Bernard (Chap. 4), Heymann Werner Richard (Chap. 3), Hindemith Paul (Chap. 2), Hitchcock Alfred (Chap. 3, 4), Hollaender Friedrich (Chap. 3), Holst Gustav (Chap. 5), Honegger Arthur (Chap. 2), Hopper Dennis (Chap. 4), Ippolitow-Iwanow Michail M. (Chap. 2), Joffé Roland (Chap. 5), Karas Anton (Chap. 4), Kazan Elia (Chap. 4), Korngold Erich Wolfgang (Chap. 4), Kosinzew Grigori (Chap. 2), Kracauer Siegfried (Chap. 1), Kubrick Stanley (Chap. 5), Le Bargy Charles (Chap. 2), Leone Sergio (Chap. 5), Ligeti György (Chap. 5), Lucas George (Chap. 5), Meisel Edmund (Chap. 2), Messter Oskar (Chap. 3), Moretti Raoul (Chap. 3), Morricone Ennio (Chap. 5), Nichols Mike (Chap. 5), North Alex (Chap. 4), Prokofev Sergej S. (Chap. 2, 4), Pudovkin Vsevolod I. (Chap. 3), Rapée Ernö (Chap. 2), Reed Carol (Chap. 4), Rye Stellan (Chap. 2), Rózsa Miklós (Chap. 4), Saint-Saëns Camille (Chap. 2), Sala Oskar (Chap. 4), Satie Erik (Chap. 2), Schmidt-Gentner Willy (Chap. 2), Schostakowitsch Dmitri (Chap. 2), Schönberg Arnold (Chap. 2), Scorsese Martin (Chap. 4), Scott Ridley (Chap. 5), Spielberg Steven (Chap. 5), Steiner Max (Chap. 4), Stevens Cat (Chap. 5), Strauss Richard (Chap. 5, 2), Strauß Johann (Chap. 5), Stravinsky Igor (Chap. 2), Thiele Wilhelm (Chap. 3), Trauberg Leonid (Chap. 2), Verbinski Gore (Chap. 5), Wagner Richard (Chap. 4, 2), Walton William (Chap. 4), Waxman Franz (Chap. 4), Wegener Paul (Chap. 2), Weiss Josef (Chap. 2), Wiene Robert (Chap. 2), Wilder Billy (Chap. 4), Williams John (Chap. 5), Zamecnik John Stepan (Chap. 2), Zimmer Hans (Chap. 5), von Sternberg Josef (Chap. 3), von Weber Carl Maria (Chap. 2)
Socialbodies
Auguste and Louis Lumière (Chap. 1), Edison Manufacturing Company (Chap. 2), Ku-Klux-Klan (Chap. 2), Le Grand Café (Chap. 1), Simon and Garfunkel (Chap. 5), Strand Theater (Chap. 2)
Mentioned
2001 (Chap. 5), A Streetcar Named Desire (Chap. 4), Blackmail (Chap. 3), Das gibt’s nur einmal, das kommt nicht wieder (Chap. 3), Der Freischütz (Chap. 2), Der Kongreß tanzt (Chap. 3), Die Drei von der Tankstelle (Chap. 3), Duduk of the North (Chap. 5), Easy Rider (Chap. 4), Ein Freund, ein guter Freund (Chap. 3), Gabriel's Oboe (Chap. 5), Give my regards to Broadway (Chap. 3), Gladiator (Chap. 5), Gone with the Wind (Chap. 4), Harold and Maude (Chap. 5), Harry Potter (Chap. 5), Home Alone (Chap. 5), Ivan the Terrible (Chap. 4), Jaws (Chap. 5), Jill's Theme (Chap. 5), Kinothek (Chap. 2), Lohengrin (Chap. 2), L’Arroseur arrosé (The Sprinkler Sprinkled) (Chap. 1), L’arrivée d’un train en gare de la Ciotat (Chap. 1), Once Upon a Time in the West (Chap. 5), Ondes Martenot (Chap. 4), Pirates of the Caribbean (Chap. 5), Psycho (Chap. 4), Ride of the Valkyrie (Chap. 2), Sam Fox Moving Picture Music (Chap. 2), Song About the Merchant Kalashnikov (Chap. 2), Star Wars (Chap. 5), Sunset Boulevard (Chap. 4), Tara theme (Chap. 4), Taxi Driver (Chap. 4), The Assassination of the Duke of Guise (Chap. 2), The Battleship Potemkin (Chap. 2), The Birds (Chap. 4), The Birth of a Nation (Chap. 2), The Blue Angel (Chap. 3), The Broadway Melody (Chap. 3), The Cabinet of Dr. Caligari (Chap. 2), The Graduate (Chap. 5), The Jazz Singer (Chap. 3), The Sound Film: A Statement from U.S.S.R. (Chap. 3), The Spy Who Loved Me (Chap. 5), The Student of Prague (Chap. 2), The Third Man (Chap. 4), The Wheel (Chap. 2), The new Babylon (Chap. 2), Theremin (Chap. 4), Trautonium (Chap. 4), Under the Roofs of Paris (Chap. 3), Woman is fickle (Chap. 2)
Keywords
Polysensualität (Chap. 1), Underscoring (Chap. 2, 4), Unification (Chap. 5), counterpoint (Chap. 3), improvisation (Chap. 1), mickey-mousing (Chap. 4), montage (Chap. 3), mood-technique (Chap. 2), sampling (Chap. 5), synchronicity (Chap. 2, 3, 4)
Timespans
1890 – 1910, 1910 – 1930, 1930 – 1940, 1940 – 1970, ab 1970

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