plusMENÜ
Infobutton
german | english

COMPENDIUM

line

ESSAYS

line

MISC.

line
  • historic
  • Abstract Film
  • Animation
  • Architecture
  • Expanded Cinema
  • Color Organs
  • Film Score
  • Games
  • Gesamtkunstwerk
  • Graphic Notation
  • Interactive Art
  • Sound art
  • ArtistMusician
  • Light Shows
  • Literature
  • Live Visuals
  • Painting
  • Music
  • Musical Theater
  • Music Video
  • Performance Art
  • Software Art
  • Sonification
  • Sound Design
  • Dance
  • Dance Film
  • Video
26 Topics in Compendium
  • systematic
  • Audiovisual Perception
  • Color-Sound-Analogies
  • Conceptual Correlations
  • Montage
  • Parameter-Mapping
  • Structural Analogy
  • Synchronization
  • Synesthesia
  • Transformation
9 Topics in Compendium
  • Introduction to the compendium
  • Introduction to the essays
  • Hybrids at the Interface of Sound and Vision
  • Separation and Conjunction
  • Deaf Dumb Mute Blind
  • The Expanded Image
  • Between the Poles of Mickey Mousing and Counterpoint
  • Sound and Image Worlds in Pop Music
  • Audiovisual Interactive Art
  • On Hearing Eyes and Seeing Ears
  • The Question of Thresholds
  • Audition and Ergo-Audition
  • 12 Essays in Archive

EXHIBITION

line
  • SEE THIS SOUND
  • Promises of Music for the Eye
  • Unreconciled
  • Borderline Art
  • New Modes of Perception
  • Come Together—Let’s Dance
  • Site.Sound.Industry
  • Audiovisual Experiments
  • Background Noises—Institutional Sounds
8 Areas in the Exhibition
  • Workindex
  • Personindex
  • Socialbodies
  •  
  • About See This Sound
  • About the Web archive
  • Symposium
  • publications
  • Sitemap
Stslettering
Compendium
home
AbstractVerticalseparatorMaintextVerticalseparatorLiterature
Textindex Textindex
 

Architecture and Music

by Ulrich Winko

This article will be made available shortly.

Next Textpiece
1
2
3
4
5
6

previously read texts
  • Architecture and Music
  • Sound in Animation
  • Absolute Film
  • Graphic Notation and Musical Graphics
  • Gesamtkunstwerk
  • undefined
  • The Film Score
  • Color Organs
  • Expanded Cinema
Print TextPrinter
 
Works
People
Socialbodies
Workdescriptions from this text
Small

Philips Pavillion

Small

Reflexion of a Dam

Workdescriptions from other texts
Small

The Fortunate Hand

test
Infotop Information about See This SoundVerticalseparatorHomeVerticalseparatorIndexVerticalseparatorConceptVerticalseparatorSitemapVerticalseparatorPrivacy PolicyVerticalseparatorLegal Info (Impressum)
HGB LogoLbi Logo
In cooperation with
Lentos Footer
Linz09 Footer
 
Tindexcornertop
List of all Relations in this Text
SCHLIESSEN Closebutton

«Architecture and Music»
Works
Philips Pavillion, Reflexion of a Dam
People
Alberti Leon Battista (Chap. 2), Antheil George (Chap. 4), Augustinus (Chap. 1), Bartók Béla (Chap. 6), Bloch Ernest (Chap. 6), Blondel François (Chap. 3), Boethius Anicius Manlius Severinus (Chap. 1), Bosshard Andres (Chap. 6), Busoni Ferruccio (Chap. 4), Cage John (Chap. 6), Cook Peter (Chap. 6), Dufay Guillaume (Chap. 1), Fibonacci Leonardo (Chap. 1), Finsterlin Hermann (Chap. 5), Fontana Bill (Chap. 6), Fuller Richard Buckminster (Chap. 6), Goethe Johann Wolfgang von (Chap. 3), Gropius Walter (Chap. 4), Hablik Wenzel (Chap. 5), Henry Pierre (Chap. 6), Hindemith Paul (Chap. 4), Holl Steven (Chap. 6), Julius Rolf (Chap. 6), Kant Immanuel (Chap. 3), Le Corbusier (Chap. 4, 6), Luckhard Wassily (Chap. 5), Meyer Hannes (Chap. 4), Muche Georg (Chap. 4), Nono Luigi (Chap. 6), Palladio Andrea (Chap. 2), Perrault Claude (Chap. 3), Poelzig Hans (Chap. 5), Pratella Francesco Balilla (Chap. 4), Reich Steve (Chap. 6), Russolo Luigi (Chap. 4), Sant'Elia Antonio (Chap. 4), Satie Erik (Chap. 4), Scarpa Carlo (Chap. 6), Schaeffer Pierre (Chap. 6), Scharoun Hans (Chap. 5), Schlemmer Oskar (Chap. 4), Schopenhauer Arthur (Chap. 3), Stravinsky Igor (Chap. 4), Taut Bruno (Chap. 5), Tschumi Bernard (Chap. 6), Varèse Edgard (Chap. 6, 4), Viollet-le-Duc Eugène-Emmanuel (Chap. 4), Vitruvius (Chap. 1), Xenakis Iannis (Chap. 6), de Honnecourt Villard (Chap. 1), von Leibniz Gottfried Wilhelm (Chap. 3), von Schelling Friedrich Wilhelm Joseph (Chap. 3)
Socialbodies
Bauhaus (Chap. 4, 5), The Crystal Chain (Chap. 5)
Mentioned
Amérique (Chap. 4), Ballet mécanique (Chap. 4), Bloch City (Chap. 6), Casa Nova – Zukunftsarchitektur (Chap. 5), Concerto for Violin and Orchestra (Chap. 6), Convent Sainte-Marie de La Tourette (Chap. 6), Critique of Judgment (Chap. 3), Der Weltbaumeister - Architekturschauspiel für symphonische Musik (Chap. 5), Facade of the Palazzo Rucellai (Chap. 2), Housing Units (Chap. 4), Intonarumori (Chap. 4), Ionisation (Chap. 4), L'Esprit Nouveau (Chap. 4), Metastasis (Chap. 6), Modulor (Chap. 6), Music for Strings, Percussion, and Celesta (Chap. 6), Musique d’ameublement (Furniture music) (Chap. 4), Notre Dame du Haut (Chap. 6), Nuper rosarum flores (Chap. 1), Ogives (Chap. 4), On the Art of Building (Chap. 2), Parade (Chap. 4), Philosophy of Art (Chap. 3), Santa Maria del Fiore (Chap. 1), Socrate (Chap. 4), Stretto House (Chap. 6), Ten Books on Architecture (Chap. 1), The Fortunate Hand (Chap. 5), The Sketchbook of Villard de Honnecourt (Chap. 1), Timaios (Chap. 1), Triadisches Ballett (Chap. 4), Versuchshaus Am Horn (Chap. 4), Villa La Roche (Chap. 4), Villa Savoye (Chap. 4)
Keywords
Entgrenzung (Chap. 4, 6), Proportionstheorie (Chap. 1, 2, 6), Pythagoreismus / Universelle Harmonie (Chap. 1, 2, 3), Verräumlichung (Chap. 5, 6), Wechselspiel der Künste / Paragone (Chap. 3)
Timespans
– 1400, 1400 – 1600, 1600 – 1800, 1900 – 1950, 1910 – 1940, ab 1950

SCHLIESSEN Closebutton
Tindexcornerbottom