Tindexcornertop
List of all Relations in this Text

«Sound in Animation»
People
Allers Roger (Chap. 4), Ashman Howard (Chap. 4), Betty Boop (Chap. 2), Bjork (Chap. 4), Blanc Mel (Chap. 2), Brown Tregoweth (Chap. 2), Bugs Bunny (Chap. 2), Calloway Cab (Chap. 2), Cannon Robert (Chap. 3), Chaplin Charlie (Chap. 1), Chomet Sylvain (Chap. 4), Churchill Frank (Chap. 2), Clements Ron (Chap. 4), Daffy Duck (Chap. 2), De Forest Lee (Chap. 2), Diaz Cameron (Chap. 4), Disney Walt (Chap. 2, 4), Dr. Seuss (Chap. 3), Dunning George (Chap. 3), Eggeling Viking (Chap. 1), Engl Joseph (Chap. 2), Felix the Cat (Chap. 1), Fischinger Oskar (Chap. 2), Fleischer Dave (Chap. 2), Foray June (Chap. 2), Gabriel Peter (Chap. 4), Gondry Michel (Chap. 4), Hanks Tom (Chap. 4), Jackson Michael (Chap. 4), Kandinsky Wassily (Chap. 2), Ko-Ko the Clown (Chap. 2), Landreth Chris (Chap. 4), Larkin Ryan (Chap. 4), Lye Len (Chap. 3), Massolle Joseph (Chap. 2), McCay Winsor (Chap. 1), McLaren Malcolm (Chap. 3), Menken Alan (Chap. 4), Mickey Mouse (Chap. 2), Minkoff Rob (Chap. 4), Mouris Frank (Chap. 3), Musker John (Chap. 4), Olive Oyl (Chap. 2), Porky Pig (Chap. 2), Powers Pat (Chap. 2), Questel Mae (Chap. 2), Reiniger Lotte (Chap. 1), Rice Tim (Chap. 4), Richter Hans (Chap. 1), Squires Scott (Chap. 2), Stalling Carl (Chap. 2), Taylor Deems (Chap. 2), Tezuka Osamu (Chap. 3), Trousdale Gary (Chap. 4), Vogt Hans (Chap. 2), Williams Robin (Chap. 4), Wise Kirk (Chap. 4), Zeller Wolfgang (Chap. 1)
Socialbodies
Chemical Brothers (Chap. 4), Filmation Associates (Chap. 3), Fleischer studios (Chap. 2), Hanna-Barbera Productions, Inc. (Chap. 3), Jay Ward Productions (Chap. 2), MTV (Music Television) (Chap. 4), Max and Dave Fleischer (Chap. 2), National Film Board of Canada (Chap. 4, 3), Paramount Pictures Corporation (Chap. 2), The Beatles (Chap. 3), United Productions of America (Chap. 3), Warner Bros. (Chap. 2), Wolfgang and Christoph Lauenstein (Chap. 4), a-ha (Chap. 4)
Mentioned
Circles (Chap. 2), Aladdin (Chap. 4), Astro Boy (Chap. 3), Beauty and the Beast (Chap. 4), Belleville Rendez-vous (Chap. 4), Betty Boop (Chap. 2), Black or White (Chap. 4), Fantasia (Chap. 2), Frank Film (Chap. 3), Gerald McBoing Boing (Chap. 3), Gertie the Dinosaur (Chap. 1), Looney Tunes (Chap. 2), Merry Melodies (Chap. 2), Mickey-Mouse-Series (Chap. 2), Neighbours (Chap. 3), Phonofilm (Chap. 2), Popeye the Sailor (Chap. 2), Radio Dynamics (Chap. 2), Rhythm 21 (Chap. 1), Rotoscoping (Chap. 2), Silly Symphony (Chap. 2), Sledgehammer (Chap. 4), Snow White (Chap. 2), Snow White and the Seven Dwarfs (Chap. 2), Song Car-Tunes (Chap. 2), Steamboat Willie (Chap. 2), Symphonie Diagonale (Chap. 1), Take on me (Chap. 4), The Adventures of Prince Achmed (Chap. 1), The Concert Feature (Chap. 2), The Flintstones (Chap. 3), The Lion King (Chap. 4), The St. James Infirmary Blues (Chap. 2), TheTriplettes of Belleville / Belleville Rendez-vous (Chap. 4), Three Little Pigs (Chap. 2), Tri-Ergon System (Chap. 2), Who’s Afraid of the Big Bad Wolf? (Chap. 2), Yellow Submarine (Chap. 3)
Keywords
Immersion (Chap. 4), Performativität (Chap. 1), Polysensualität (Chap. 3), Verzeitlichung (Chap. 1), club culture (Chap. 4), drawn sound (Chap. 3), mickey-mousing (Chap. 2), rhythm (Chap. 1), synchronicity (Chap. 2, 3), synthesis (Chap. 2, 3)
Timespans
– 1930, 1920 – 1940, 1940 – 1980, ab 1980

Tindexcornerbottom