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List of all Relations in this Text

«Technical Sound-Image Transformations»
People
Adorno Theodor W. (Chap. 4), Avraamov Arsenij (Chap. 4), Bass Krugg (Chap. 3), Berglund Sven (Chap. 2), Bowditch Nathaniel (Chap. 6), Braun Ferdinand (Chap. 6), Bute Mary Ellen (Chap. 6), Cage John (Chap. 1, 4), Cross Lowell (Chap. 6), Deleuze Gilles (Chap. 4), Engl Joseph (Chap. 2), Fischinger Oskar (Chap. 4), Fox Robin (Chap. 6), Franke Herbert W. (Chap. 6), Hausmann Raoul (Chap. 1), Hearn Bill (Chap. 6), Heide Edwin van der (Chap. 6), Heidersberger Heinrich (Chap. 6), Hirsh Hy (Chap. 6), Holzer Derek (Chap. 4), Jeffries Carson D. (Chap. 6), Kandinsky Wassily (Chap. 5), Lauste Eugène Augustin (Chap. 2), Lissajous Jules Antoine (Chap. 6), Massolle Joseph (Chap. 2), McClure Bruce (Chap. 4), McLaren Norman (Chap. 4, 6), Moholy-Nagy László (Chap. 6, 1, 4), Oram Daphne (Chap. 3), Paik Nam June (Chap. 6), Pfenninger Rudolf (Chap. 4), Pias Claus (Chap. 5), Rhodes Lisa (Chap. 4), Rilke Rainer Maria (Chap. 4), Ruhmer Ernst (Chap. 2), Ruttmann Walter (Chap. 2), Schaeffer Pierre (Chap. 6), Sherwin Guy (Chap. 4), Sholpo Yevgeny (Chap. 3), Smith Willoughby (Chap. 2), Spielmann Emerick (Chap. 3), Toulon Pierre (Chap. 3), Tudor David (Chap. 6), Tykociński-Tykociner Joseph (Chap. 2), Vogt Hans (Chap. 2), Weidenaar Reynold (Chap. 6), Welte Edwin (Chap. 3), Wheatstone Charles (Chap. 6), Winckel Fritz (Chap. 6), Yankovsky Boris (Chap. 4), von Mihály Dénes (Chap. 1, 2)
Socialbodies
9 Evenings – Theater and Engineering (Chap. 6), Tri-Ergon (Chap. 2), World Exposition in Osaka 1970 (Chap. 6)
Mentioned
Harmonograph (Chap. 6), Kaleidophon (Chap. 6), Light-Tone Organ (Welte's Light-Tone Organ) (Chap. 3), Optical Sound Films (Chap. 4), Oramics (Chap. 3), Pepsi Cola Pavillion (Chap. 6), Photoelectrical Cell (Chap. 3), Rhythmogramme (Chap. 6), Superpiano (Chap. 3), Telehor (Chap. 1), VIDIUM (Chap. 6), Variophone (Chap. 3), Weekend (Chap. 2)
Keywords
Entgrenzung (Chap. 1, 5), Interferenz (Chap. 6), Intermedialität (Chap. 2, 4), Intermodale Analogie (Chap. 6), Polysensualität (Chap. 4, 5, 6), Simultaneität (Chap. 6), Verzeitlichung (Chap. 5), Wechselspiel der Künste / Paragone (Chap. 1), digital signal processing (Chap. 6), drawn sound (Chap. 4), generative Verfahren (Chap. 6), indeterminism (Chap. 4), modulation (Chap. 6), synchronicity (Chap. 2), synthesis (Chap. 3, 4, 6)
Timespans
1920 – 1970, 1800 – 1930, 1920 – 1930, ab 1930, 1920 – 1970, ab 1800

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